AHA Group Visit to Winchester Collage

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Once a year the National Heritage opens its doors for a period of two weeks through-out the country. When I say “opens its doors” this is because many of the venues are either private, a place of business, etc. and do not lean themselves for normal visiting. The range of properties encompasses every walk of life from historical, listed buildings to offices of public services and the list goes on and on.
This year the AHA Group concentrated on Winchester College, which was offering a variety of interests to visit. This took place whilst business was as usual – normal lessons for the scholars.
Winchester College was founded by William Long who became known as William of Wykeham which was his birthplace. He was born into a farming family and received a good education, and it became his passion that all children should be educated. Wykeham was made Bishop of Winchester and became known to many noble families along with a number of major building projects, i.e. Clerk of Works for the construction of Windsor Castle. He became well known within the inner circle of both Edward III and Richard II. Wykeham shared his wish to build a school in Winchester and his reasons for doing this, and the Kings gifted him the land. ​

Arrival

At 11am nine of us commenced our tour of the College architecture, buildings, and the grounds, which is a maze of buildings spreading over time from 1389 to the current day. The quality of the architecture and the condition of buildings was outstanding and interesting.

It was made up of various courts stretching over a large area. This was quite a surprise as when you are standing in College Street looking at the front of the building, you would have no idea of its size. Once you reach the rear of the College there is a leisure section and a vast area devoted to a wide range of sport facilities.

In recent years they have created a Garden of Remembrance which is noted as being the largest private one within the U.K. This was formed to honour many of the College former pupils who are known as “Wykehamists”, who lost their lives serving in the armed forces from the First World War up to the present date.
After our outside walkabout, we peeked at the oldest parts of buildings which was the original Chapel currently being used mainly for archive storage. ​

Memorial Cloisters

Medieval Cloisters

Chapel Altar

Whilst here we enjoyed a double bonus as the College was showing an exhibition of the first Mount Everest Climb. With it being the one-hundred-year anniversary of the “Wykehamists” attempting to climb the region with the object of mapping, survey etc. This was led by a George Leigh-Mallory along with Major Henry Morshead and Guy Bullock. This was very informative showing a running film along with photographs, printed material and much more.

We then viewed a large room which was formerly the College Refectory. This was a typical room of its period with stained wooden panels, and over time names etc. has been etched in, now known as art! There were pictures and plaques of former principals etc. The room is now used as a quiet study room.

Following a break for lunch, we reassembled for our next treat, to listen to a Choir in Chapel I where we experienced a rehearsal by the younger pupils aged five to eight. This was a most enjoyable hour as the boys went through their repertoire for the coming Sunday first service. These boys only have had one week together with a couple of rehearsals. The harmony between the boys and their Choir Master / Music Teacher was exceptional and the wonderful sounds that were achieved were pure joy. On finishing rehearsal, the Choir Master then joined us for a chat, when he explained what had been achieved and what can be achieved given time.

After the choir

It was now time to complete our visit to the College by viewing the Archives.  The first building we had to climb 22 spiral steps up to a smallish room, and what was noticeable there was no heating and low natural light, but the walls were very thick.  This constant temperature has played a big part in keeping the documents in pristine condition. ​

We were shown a number of documents, i.e. an inventory of what was required to take care of the King and his entourage on a visit in the 15th Century. For example, how many loaves of bread, gallons of beer – it made such interesting reading. But the highlight had to be looking at the deeds and seals of the land being gifted to Wykeham (in modern day terms we would say to fulfil his dream). These documents were so well preserved and looked very impressive. We then returned to Chapel II and those who were able climbed a further 55 steps to another archive with numerous records and artifacts. I believe records of all their scholars are stored here, but I was one of the faint hearted and gave the steps a miss!
The above concluded our tour of Winchester College and we were all feeling the need for a cup of tea, but also, we felt well informed and had had an enjoyable relaxed day. The day rounded off with an early dinner at the Abbots Mitre.

Richard II Charter

Richard II Seal

Photography Group’s September Meeting

Best Picture, “Steamer” by John Clark

The Group met at 9:30 on 13th September with the theme ‘Transport’. Of the four portfolios submitted, Rosemary Crumplin was adjudged best set of four and John Clark’s photograph of a steamboat was voted Beat Picture. We welcomed a new member, Teresa Twitchell, and she had brought along her camera at the Group Leader’s request.

Apparently the camera, an Olympus OMD-10 Mk III, had been bought some time ago but had been little used because it was too confusing – not helped by a 5 page ‘manual’ that was not very comprehensive! The Group Leader described some of the key features of the camera with suggestions on how to use it.

This prompted a lot of discussion about settings for cameras for different scenarios.(After the meeting the Group Leader e-mailed links to a helpful review of the camera features as well as a link to download a full manual).

It transpired that there was no time for the discussion on Landscape Photography – this was deferred to the next meeting.
Theme for next meeting is ‘Documentary’. Future themes are on the Group’s web site.

AHA Visit to Southampton Art Gallery

The well attended August visit was to view the current exhibitions at the Southampton City Art Gallery, which included paintings loaned from the National Gallery. We had a curator for an hour-long tour highlighting the major exhibits, part of which was entitled ‘Building a National Collection’. He explained how they approached the task of spending the generous Chipperfield Bequest Fund with which they were endowed at the commencement of the collection. With guidance from various famous Directors of the National Gallery they have managed to acquire thousands of post WW2 paintings from artists at an early stage of their careers who later became famous (and prohibitively expensive).
The modern works, both figurative and abstract, have been complimented by old masters, British School and Impressionist paintings which cater for all tastes. Our tour ended with a short visit to the separate Portraits exhibition, where they were showing in 2 galleries a selection of their collection of mostly living artists’ work. We then broke for a short lunch at the café in the adjacent Sea City Museum, and subsequently returned to the Art Gallery to have a more ‘in depth’ look at the many works unavoidably missed during the curated tour. The very high standard of paintings viewed tended to support Southampton’s claim that they have the best collection in the south.

The coronation of the Virgin is some 650 years old and by far the earliest work in the Southampton collection. It was created at the point where medieval art was beginning to be challenged by the new ideas of the Renaissance. Allegretto Nuzi came from Fabriano in central Italy. He seems to have spent time in Siena and also worked in Florence. Nuzi was a painter of church altarpieces usually made up of two or more panels. He worked in egg tempera, a difficult medium that provided bright and lasting colours.

The Classical style of the main gallery building, allowing much more light to enter, further enhanced the overall experience, which proved to be probably the best paintings exhibition we have visited to date. Certainly, all of our Group who attended found the visit to be most enjoyable. Whilst we all have our favourite painting, mine was probably Southampton’s own Monet which out classed the adjacent National Gallery loan.​​

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The Church Vetheuil – Monet

The church was the subject for a series of paintings, viewed from different positions at different times of year. This version was painted from a boat on the River Seine. To capture constantly changing effects of light and colour Monet had to work quickly using rapid dabs of the brush, this is particularly noticeable in the shimmering reflections on the river.